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For example, in your application, you might have a <listen> element that speaks the error code that occurred. <salt:prompt id="MainMenu"></salt:prompt> <salt:listen id="listenMainMenu" onerror="HandleOnError()"> <salt:grammar name="mainmenu" src="mainmenu.grxml" /> </salt:listen> <script language="JScript"> function HandleOnError() { var Status = event.srcElement.status; MainMenu.Start("Error detected, status: " + Status); } </script> Onreco and Onnoreco Events The onreco and onnoreco events fire after the onspeechdetected event. If the user said something that matches the <listen> element s grammar, the onreco event will fire. If the user said something that doesn t match the <listen> element s grammar, the onnoreco event will fire. If the onnoreco event fires, you should reprompt the user in a more direct manner. If the onreco event fires, you should collect and process what the user said. You can access the response of the user with the text property. The text property will contain the word or phrase the user said that was recognized from your grammar. You can also access the SML results via the recoresult property. <salt:listen id="listenMainMenu" onreco="HandleMainMenuonreco()" onerror="Handleonerror" > <salt:grammar src="mainmenu.grxml" /> </salt:listen> <script language="JScript"> function HandleMainMenuonreco() { var sml = event.srcElement.recoresult; var confidence = sml.selectSingleNode("/@confidence").nodeValue; } function Handleonerror() { var errorStatus = event.srcElement.status; } </script> You can set the confidence value that triggers an onnoreco event via the reject attribute. For example, if you want your application to trigger an onnoreco when the confidence value is less than 80% positive for the main menu, you could set the reject value to .8. <salt:listen id="listenMainMenu" onreco="HandleMainMenuonreco()" onerror="Handleonerror" reject=".8" > <salt:grammar src="mainmenu.grxml" /> </salt:listen>

Figure 5-34. Painting on a new channel The first item in the context menu, Edit Channel Attributes, gives you another place to change the channel s name. In addition, it lets you change the Fill Opacity (Figure 5-35). On some images, it may be nearly impossible to see what you re doing when the image is covered by the translucent dark gray of a channel. Changing Fill Opacity can make the overlay lighter or darker. You can also change the color by clicking on the color box. Figure 5-36 shows the result. Channels don t get in your way because you can switch them off at any time. They won t disturb your current selection until you explicitly ask for that using the context menu. Of course, channels are included when you save as XCF, so all your stored selections will still be there the next time you edit the image.

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The first step in using this software is to obtain the BitBake software. The recommended method is to download the software from the Subversion archive. Subversion may not be installed on your system, so the first command installs it on an Ubuntu system. If you re using an RPM-based system, substitute yum for apt-get: $ $ $ $ sudo apt-get install subversion mkdir -p ~/oe/conf cd ~/oe svn co svn://svn.berlios.de/bitbake/branches/bitbake-1.8/ bitbake

Lots of data scrolls past, showing the data that s being downloaded from the Subversion repository. Next, use Git to fetch the OpenEmbedded metadata. When you run this command, there is an uncomfortable delay before data appears on the terminal; be prepared to wait a minute or two, which can seem like an eternity. Be patient: $ git clone git://git.openembedded.net/openembedded Initialized empty Git repository in /home/gene/oe/openembedded/.git/ remote: Counting objects: 274805, done. remote: Compressing objects: 100% (85039/85039), done. Add OpenEmbedded s tools to the path, and the system will be ready: $ export BBPATH=~/oe/build:~/oe/openembedded $ export PATH=~/oe/bitbake/bin:$PATH The documentation recommends doing the following:2 echo 0 > /proc/sys/vm/mmap_min_addr If you re running an Ubuntu system, you may need to install these packages as well: $ sudo apt-get install diffstat texi2html cvs gawk

A layer mask defines how much, and which parts, of a layer will be visible. Layer masks are not actually a selection tool. But you can use them in many of the same ways you d use a selection. For some jobs, a layer mask may be easier and more intuitive than using a selection. A layer mask is actually a black-and-white image, like a channel or the QuickMask. It represents the alpha channel of the layer. The whiter the mask is, the more the affected layer shows through the less transparent it is. Wherever the channel mask is dark, the image will appear transparent. It may help to think of the mask as a film negative placed on top of your image. Anywhere the film is black, you can t see your image; anywhere the film is clear (or in this case, white), the layer can be seen. Layer masks are particularly useful when combining images. For instance, I have an ostrich (Figure 5-37) and a giraffe (Figure 5-38). What if I want to make an ostraffe

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